Slam Allen, a 2015 inductee into the NY Blues Hall of Fame, with share the evening with Elly Wininger, Adelphi Records recording artist and a 2014 inductee into the NY Blues Hall of Fame on Thursday, June 13 at 8 PM. 15 dollars at the door or on eventbrite.com. 45 seating limit. BYOB. Soft drinks and snacks available at Ozubar.
About Slam Allen
A 2015 inductee into the NY Blues Hall of Fame
Growing up, Slam played drums for the family soul band “The Allen Brothers” and later on, learned guitar from his Dad, Harrison Allen and his Uncle, Cecil Allen. As he progressed in their eyes, the family knew they had a special talent to nurture! Today, with 6 cd’s to his credit, Slam Allen crisscrosses the globe playing festivals from Argentina to New York, from Italy to Florida, from Switzerland to Chicago, and beyond.
This gifted musician and entertainer was the lead singer, lead guitarist and band leader for the legendary Grammy-nominated James Cotton. “Playing with Cotton was such a great experience for me! There are things I learned from him that you can’t learn from any school. It was a great honor!” says Slam.
In 2010, Slam Allen had the distinction of being chosen by Norwegian Cruise Line for the inaugural launch of the Norwegian Epic, and the official “Fat Cats” house band – the first full-time Blues and Soul artist on a National Cruise Line. With Slam at the helm, the band quickly developed an incredible rapport with guests. People wanted to be entertained six nights a week and Slam delivered his unique brand of entertainment for 5 years!
Today, Slam Allen continues a national and international mission to fill his audiences with joy, happiness, and love. “If I can entertain the people, make them happy and inspire them to stay positive about life, I have done my job!” This is Slam Allen’s message of love to the world!
About Elly Wininger
A 2014 inductee into the NY Blues Hall of Fame, Elly Wininger’s third and most definitive CD “Little Red Wagon” was #8 on the Folk Music DJ Chart for January 2018.
Having played historic NYC venues such as Kenny’s Castaways, Dr. Generosity’s, Folk City and the Bitter End, Elly now tours and performs nationally and is an annual feature at the Woodstock Invitational Luthier’s Showcase. Elly’s musical talents, however, don’t end there. As producer of a series of music documentaries for Public Radio, “Rockin’ the Boat,” which chronicles the power of music in movements for social and political change around the world, won several awards, including one from the United Nations. As a composer, Elly’s guitar, vocal work and original songs, have been featured in theater productions, video games, and on the Clio award-winning public service campaign against drunk driving called “Friends.” Elly also produces albums for other artists and hosts the live variety radio show: “Catskill Cabaradio” on WIOX Roxbury NY. In addition to giving workshops and clinics, Elly has created a program called “Our Song”which has been used by many organizations including the ARC for people with intellectual and developmental disabilities, to assist people in writing their own songs.
Harkening back to her start in Greenwich Village, festival promoter Kurt Henry called Elly a “folk-blues legend.” And indeed- she played the very first set on opening night at CBGB, and was offered a recording contract with Red Robin Records at age 16. “I saw an ad in the Village Voice that said ‘Wanted: Blues Singers,’ and since I was studying with David Bromberg and playing the basket houses, I grabbed my guitar and took the subway to the Bronx. After wandering around the projects, I finally found the right door. I went in and played for a while- I think it was “Rock Me Baby” and “Key to the Highway” until the woman auditioning me yelled for her partner to come in the room. ‘Listen to this’ she said, nodding at me, in my braces and pointy glasses. I was as surprised as they were when she handed me a contract.”
“Before I could read or write, I was transported by listening to my parents’ 78s: Vera Hall’s “Black Woman;” Blind Willie Johnson’s “Dark Was the Night” and Leadbelly, who I used to try to sing like, much to my kindergarten teacher’s dismay. I had no idea what or who I was listening to, but it stirred something in my soul that has been swirling ever since. In the Village I listened and played in the coffeehouses. There was Lightnin’ Hopkins, Muddy Waters, Mississippi John Hurt, Dave Van Ronk, and the newcomers like my teacher, John Hammond Jr., Artie Traum, Geoff Muldaur, Danny Kalb and so many others picking up from the source. 1973 found me on stage at the Philadelphia Folk Festival singing with Maria Muldaur and immersing myself in all the styles that made up the ‘folk revival,’ which of course is a continuum, a river of astonishing richness and deep beauty.
“As I tour from my home base in Woodstock NY, I am always inspired by the beauty of the people and places around me. I have come to understand that the power of music comes from sharing, not just performing. The connection among people that can be created with music is what keeps me going.”
About Green Kill
Green Kill is a multi-use performance space dedicated to a diverse and growing creative community. Green Kill’s mission is to create artistic opportunities through peer to peer organization by talented and dedicated visual, performing and literary artists.
Green Kill is a handicapped accessible exhibition performance Space located at 229 Greenkill Avenue, Kingston, New York, 12401, firstname.lastname@example.org, open Tuesday to Saturday from 3 pm to 9 pm, closed on national holidays. The phone number is 1(347)689-2323. For the event schedule please visit http://greenkill.org/2017/04/24/green-kill-activities/. Exhibition viewing hours are Tuesday-Saturday, 3-5 PM or you may make a special appointment by contacting email@example.com or phoning 347-689-2323.